Life is pain, get use to it.
When death is your business, what is your life? For the Fisher family, the world outside of their family-owned funeral home continues to be at least as challenging as—and far less predictable than—the one inside.
Ruth dreads George's return from the hospital in light of his recent diagnosis; Nate and Brenda prep for a big day, but an emergency makes them reconsider; David and Keith discuss alternative parenting options; Rico tries internet dating; and Claire enjoys domestic bliss but crosses a line with her camera.
Nate hangs with some high-school friends but finds that, as adults, they share little more than teenage memories; Ruth gets relief from George's daughter Maggie; Brenda is reluctant to accept Margaret's help and struggles in her new internship; David and Keith's latest baby dream starts to resemble a nightmare; Claire bemoans being pigeonholed by her art; Billy defends his career but secretly wonders what happened to his old self; and Rico, mortified that he couldn't take a dating hint, seeks sympathy from Vanessa.
Claire is seduced by Billy's lust for life but hits a roadblock trying to fund the next leg of her educational journey; George is haunted by visions of an early trauma; Brenda feels at home with her new supervisor Jackie; David and Keith meet a fertile young woman named Mary; Vanessa encourages Rico to mingle, so he does--at a funeral directors' conference.
Brenda is disturbed by Nate's reaction to her latest news; Ruth shares her feelings about George with her knitting circle; David and Keith 'propose' to Mary and meet Roger's equally unconventional family; Rico is shocked at how Vanessa and the boys are doing; frustrated, George shares a beer and a song with Billy; and Nate comes home to an unpleasant surprise.
Nate and Brenda discuss giving Maya a 'coherent narrative'; David and Keith await news from Mary, and meet a special little boy; Vanessa is shocked when Julio gets into trouble at school--and mortified when Rico schmoozes things over; Billy invites Claire to dinner, but has no appetite; Margaret helps stage an ambush; and Maggie brings George to a tense meal.
Ruth happily helps 'circle the wagons' when Sarah calls; David and Keith discover it's hard work playing house with Anthony and his brother Durrell; Nate muses on the loss of his first love; Claire finds a temporary financial solution; Vanessa hires a nanny with unexpected talents; Rico gets an offer he can't believe--or refuse.
David and Keith struggle to create parent-child boundaries; When Brenda and Nate get some ambiguous news, it confirms their views on life and death; Ruth fills her schedule with activities, but has trouble unwinding; Claire meets an interesting guy at work, and makes an effort to fit in; Margaret lets a cat out of the bag; and George drops a bomb on Ruth.
A young Latina's funeral raises questions about the culture--and future--of Fisher and Diaz. Meanwhile, David and Keith are upset when they're not in the driver's seat; Claire takes her co-worker Ted to an art school show; Brenda gets vital info from her doctor--and from Jackie; and Ruth goes out for some pampering and gets more than she paid for.
The Fishers wait in the hospital hoping Nate will be okay.
While David attends to family business, Keith makes an embarrassing self-discovery on the job; Brenda is challenged by Nate and answers a hard question for Maya; Margaret compares herself to her daughter; Ruth lets Bettina play nurse; Rico and Vanessa decide to protect their future; Claire is comforted by Ted's squareness; and George makes a speech about love.
As David's fears take over, Keith tries to protect him--and the boys; Billy attends to his sister; Claire goes on a drunken harassment spree and pushes Ted away; Rico pushes for a talk about the business; George tries to help Ruth with Maya; Nate urges Brenda to embrace a taboo; and Vanessa sees the future in a funeral home.
The Fishers begin embracing the future
